Skip to main content

Forgotten Film Friday: Joy Ride

Joy Ride and the art of the road thriller

A review by Brooks Rich

In honor of Azzam and Chris going on a road trip this weekend, we have a road thriller from 2001. I love this subgenre. Honestly the thought of being on the open road in the middle of nowhere kind of freaks me out. The road thriller plays on the fear of the unknown. Who knows who you're driving by on the highway? Especially at night if you're just two headlights passing by each other. Who is that person in the other car? Also if we take a wrong turn on a road trip, who knows where we will end up. Look to both versions of The Hills Have Eyes for this. These films take the open roads of America and turn them into highways to Hell.

There are some greta road thrillers out there. Steven Spielberg's first major film was the TV movie Duel, about a businessman being chased by a truck apparently driven by a phantom. The driver is never seen and the truck becomes this almost demonic entity. The Hitcher is simple yet effective. A young man on a road trip picks up the wrong guy on the side of the road. There's the highly underrated and underseen Road Games from 1981. Stay tuned for that one day. Alfred Hitchcock's masterpiece Psycho is a sort of road thriller. Marion Crane takes the wrong exit and ends up at the Bates Motel. The rest we know. Even Jeepers Creepers, also from 2001, is a kind of road movie as two siblings driving stumble upon a nightmare. Stay tuned for that as well. Holy shit that film is terrifying. But today we look at Joy Ride.

Paul Walker and Steven Zahn play two brothers driving cross country. Armed with a CB radio, they pull a prank on a trucker named Rusty Nail by pretending to be a woman named Candy Cane. Of course when Rusty Nail discovers this ruse, after ripping a man's jaw off, he begins to pursue the two brothers.

It's a simple story but it is very effective. Unlike in Duel, where we never see the driver and only have the truck to be scared of, we have both the truck and the voice of Rusty Nail, supplied by Ted Levine in an uncredited role. This really gives the movie some gravitas. Levine is so good as a voice here he makes the truck even more sinister. You would think he would humanize the villain but leave it to Buffalo Bill himself to make it even scarier.

It's a classic horror movie trope. Messing with the locals, in this case the trucker who populate the open roads, and having it come back and bite you. Director John Dahl uses the highway to great effect. When the brothers discover that Rusty Nail knows what car they're in, Steve Zahn turns around to just find countless headlights behind them, all of them potential threats. They are surrounded by cars and truck but are still very much alone. But later they are the only car on the road and know that menacing truck and driver could be just a mile down the road, hiding in the darkness down the road. It's so frightening because it feels real. This doesn't seem like a made up scare.

This is a fun movie and one that kind of sneaks up on you. You might think, oh come on, typical early 2000s' teen horror movie. But give it a chance. It'll get its hooks into you. It's more creepy then outright terrifying and again a lot of that is thanks to Ted Levine. Track this one down and also any of the other films I mentioned Take a trip on route 666.


Comments

Popular posts from this blog

The Texas Chainsaw Massacre (1974)

A retrospective by Brooks Rich Let's kick off the spooky season with a bona fide classic. I love the horror genre, but not much really scares or creeps me out. Most horror films I just watch and enjoy. However, 'The Texas Chainsaw Massacre' is one of those that really gets under my skin, and not just because the Sawyer family are eating people. The way Tobe Hooper shoots the film gives it an almost documentary feel. If you have never seen 'Texas Chainsaw Massacre,' you should probably fix that immediately. Do I need to explain what it's about? A group of '70s kids is driving across Texas in a van and runs afoul of the Sawyer family, including the man himself, Leatherface. It's a classic of the horror genre and one of the pioneers of the '70s and '80s horror boom. The film has a reputation for being sickeningly bloody and violent, but that is not true. It's essentially a bloodless film, which makes it even more horrifying. Most of the violence...

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Candy month: Planes, Trains, and Automobiles

 A retrospective by Brooks Rich I decided to extend John Candy month for a bit as I had some personal issues come up. So just wrapping up some film I wanted to cover. Works for me. Just an excuse to keep talking about a master like Candy.  Steve Martin is Neil Page, a marketing executive who is flying from New York to Chicago for Thanksgiving. While trying to hail a cab he trips over a large trunk and has his taxi stolen by Del Griffith, the immortal John Candy, who ends up being one of Neil's seat mates on the plane. Bad weather in Chicago strands them in Wichita. Determined to make up for ruining Neil's travel plans, Del swears to get Neil home to Chicago in time for Thanksgiving. Hilarity ensues.  I mean come on. Who doesn't love Planes, Trains, and Automobiles? This is Candy's best film and I don't think that's a hot take. Sure some people might vote for Uncle Buck but not me. My vote is for this masterpiece of '80s comedy. It is also John Hughes best fi...