Skip to main content

Forgotten Film Friday: Narc

A review by Brooks Rich

Today we have a brief feature on director Joe Carnahan, a criminally underrated director who deserves a bigger career than he has. Most of you will probably know Carnahan from his 2011 film The Grey. But Caranhan was working well before that. We'll begin with the 2002 police procedural he wrote and directed, Narc. 

Jason Patric is Nick Tellis, an undercover narcotics officer in Detroit assigned to look into the murder of another undercover cop. Tellis is teamed up with Henry Oak, played by Ray Liotta, a detective who knew the murdered cop, and together the two follow a trail of clues into the seedy underworld of drugs to try and find out what happened. 

There's eight million cop films out there and it’s true that parts of Narc feel familiar… but Carnahan brings grittiness and brutality to this story. This is an ugly world filled with ugly and violent people. The film opens with Tellis' cover getting blown and a chase through the streets that leads to a man stabbed in the neck and a shootout in a playground. Know what you're getting into when you watch this film. It doesn't pull any punches. The violence is in your face… and it's clear pretty early on that there isn't going to be a good ending to this investigation. 

This is the best Jason Patric has ever been. He is riveting as Tellis and of course it's great to see Ray Liotta playing a character with some weight to him. Liotta is a fantastic actor, but lately has become one of those actors who won't say no to anything. He's appeared in some bad stuff over the years and it's great to go back and watch something like his where he's really playing a hard ass. The two actors have great chemistry and we completely buy this shaky relationship between two men looking for the truth. 

This is not Carnahan's best work, we'll get to The Grey, but it is an interesting film to watch. It’s not his first film but it is the one that put him on the map and probably the film to best pair with The Grey. Both films are brutal and deal with what it's like to be a man in today's society and how one faces his own mortality, though those themes are definitely explored more in depth in The Grey. If you can handle some hardcore violence and language, give Narc a chance, especially if you're a fan of cop films. 



Comments

Popular posts from this blog

The Texas Chainsaw Massacre (1974)

A retrospective by Brooks Rich Let's kick off the spooky season with a bona fide classic. I love the horror genre, but not much really scares or creeps me out. Most horror films I just watch and enjoy. However, 'The Texas Chainsaw Massacre' is one of those that really gets under my skin, and not just because the Sawyer family are eating people. The way Tobe Hooper shoots the film gives it an almost documentary feel. If you have never seen 'Texas Chainsaw Massacre,' you should probably fix that immediately. Do I need to explain what it's about? A group of '70s kids is driving across Texas in a van and runs afoul of the Sawyer family, including the man himself, Leatherface. It's a classic of the horror genre and one of the pioneers of the '70s and '80s horror boom. The film has a reputation for being sickeningly bloody and violent, but that is not true. It's essentially a bloodless film, which makes it even more horrifying. Most of the violence...

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Candy month: Summer Rental

 A retrospective by Brooks Rich Air traffic controller Jack Chester (John Candy) is given paid time off when he nearly causes two airline disasters. He takes his family down to Florida for a vacation. Hijinks ensue because its '80s comedy and Candy ends up challenging a pompous Richard Crenna to a yacht race to close out the summer.  This is a movie that has been forgotten to time in the grand scheme of Candy's career. Even with Carl Reiner directing it does have the same name recognition as some of Candy's other works. But I think it's a solid entry in his filmography. He plays a great everyman who we have no problem rooting for. The slobs versus snobs relationship he has with Crenna works like a charm and he genuinely seems like a good father and husband. Candy was always great at playing both the everyman and the aloof goofball. Sometimes he'll even play both. His character of Jack Chester in this is a good example of that. At times Jack is the goofy comic relief...