Skip to main content

Tim Burton month: Big Fish

A retrospective by Azzam Abdur-Rahman


As I sit in my home in this time of moral ignorance and global pandemic its hard to enjoy much. In the golden age of the television I feel like the lost of the movie theatre has become the lost of something beautifully cultural about the coming of summer in America. It is our last sanctum from the pain of reality where we can get lost in a tall tale. You may be reading this and think “What on god’s green earth does this have to do with Big Fish?” Big Fish is a campfire story played out in its final evolution, on a silver screen. Big Fish is the best film in Tim Burton’s filmography because it understands something about us. It understands we love a big story with small man at the center trying to do his best.
Big Fish cut to the core of me as a young man. I found this film in the preteen shadow of my body changing and my mind changing as well. In this time, I still had my grandfather. A sweet man who looked like Rodney Dangerfield when he smiled. I only knew him as a sweet man who weaved tall tales. My family much like family in this film loved him for who he was but often sprinkled reality in to his stories. Tim Burton hates reality. He hates those moments where the grand and strange are infected with the ideals of the normal and plain. My grandfather was neither normal or plain when he told a story. Just like that film at its head is the story of a salesmen at the end of his life is normal and plain but when sprinkled with the spice of life it erupts in miasma of joy.
It’s hard to say much about this film that doesn’t come off as joyful and rich in excitement while muted by my cabin fever depression. This month was tough and its tough on all of us. And much like this film we must embrace the joy this film asks us to dance in. We are not locked in our homes, we are in imprisoned by the hubris of the rich. No, we are dancing through our imaginations and finding new ways to impart joy to ourselves. That is what Big Fish is about. It is about finding beauty and bravery in moments of pain. It is about fighting for happiness when the crushing hammer of reality is at our doorstep and its about being the best person you can. I promise I will write more for this site as I work from home. I need this outlet and I am sorry I only like one Tim Burton movie but for now.


Comments

Popular posts from this blog

The Texas Chainsaw Massacre (1974)

A retrospective by Brooks Rich Let's kick off the spooky season with a bona fide classic. I love the horror genre, but not much really scares or creeps me out. Most horror films I just watch and enjoy. However, 'The Texas Chainsaw Massacre' is one of those that really gets under my skin, and not just because the Sawyer family are eating people. The way Tobe Hooper shoots the film gives it an almost documentary feel. If you have never seen 'Texas Chainsaw Massacre,' you should probably fix that immediately. Do I need to explain what it's about? A group of '70s kids is driving across Texas in a van and runs afoul of the Sawyer family, including the man himself, Leatherface. It's a classic of the horror genre and one of the pioneers of the '70s and '80s horror boom. The film has a reputation for being sickeningly bloody and violent, but that is not true. It's essentially a bloodless film, which makes it even more horrifying. Most of the violence...

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Candy month: Planes, Trains, and Automobiles

 A retrospective by Brooks Rich I decided to extend John Candy month for a bit as I had some personal issues come up. So just wrapping up some film I wanted to cover. Works for me. Just an excuse to keep talking about a master like Candy.  Steve Martin is Neil Page, a marketing executive who is flying from New York to Chicago for Thanksgiving. While trying to hail a cab he trips over a large trunk and has his taxi stolen by Del Griffith, the immortal John Candy, who ends up being one of Neil's seat mates on the plane. Bad weather in Chicago strands them in Wichita. Determined to make up for ruining Neil's travel plans, Del swears to get Neil home to Chicago in time for Thanksgiving. Hilarity ensues.  I mean come on. Who doesn't love Planes, Trains, and Automobiles? This is Candy's best film and I don't think that's a hot take. Sure some people might vote for Uncle Buck but not me. My vote is for this masterpiece of '80s comedy. It is also John Hughes best fi...