Skip to main content

The Red Pill: The Matrix’s Narrative of accepting yourself!

An editorial by Azzam Abdur-Rahman A less sad thought but one that dawned on me as I have rewatched The Matrix like a thousand times in my life; as the directors careers and lives changed the films grew mode subversive and fascinating. When I saw it as a kid it was the coolest movie. It was the distillation of action films as a whole into this Uber film, blending Hong Kong martial arts, wild gun fights and sci-fi into a wild miasma of entertainment. Now, it screams to be a film about what it means to be trapped in a world where you feel like you wear a facade to survive. That your true self sits just beneath the surface and until you accept that you will slowly die in madness. But getting free comes at a cost, a cost when you consider that you are now alienated from the world you hated. One that has comforts and is the devil you know. It become a violent scary world that leaves you surrounded by a surrogate family who is there for you but you still miss that original warm bath. It’s hard to ignore the coming out and transitioning of it when you know both the directors are Trans-Women and made the film before transitioning. It isn’t subtle but as an adult with many teams, non-gender conforming people in and around my life it gives me a wholesome sense of joy that a film about struggling with feeling yourself has gunfights. What is less fun, what is less sensible is how people with right wing ideals view the ideas of the matrix on a broken macro level, the film isn’t about getting free from tyranny of some faceless machine. It’s about opening yourself up accepting what you know to be true and frowning stronger for yourself. The Red Pill isn’t some grand conspiracy. It isn’t conservatives talking about Qanon or broken ideals of what this nation was built on. So you can get why the director of this film fucking hates that her work is used as some basic bitch verbiage of joining a cult like political belief. These people misunderstand the Matrix. Hell even Patton Oswalt misunderstands Cypher. Cypher can’t handle the social isolation of who he is at his soul, it makes him angry. It makes him violent because he has been told what he is, is wrong. Being free came at a price and he misses the warm bath. He is someone who rejects LGBTQ after acknowledging they were one and supporting things like camps for “fixing people” and “programs” you can’t go back. Cypher can never be whatever his dead name is again no matter how much he wants. I know this is long and wild but these thoughts I believe are what continue to help this film have legs in our world. The 90’s had tons of hacker painted action films but none remain relevant beyond fashion. The Matrix does because it is living art. It’s meaning and subtext and grown more dense and in someways heart warming as time as gone one. So if you read this and you transitioned becoming you truest self. You are NEO. You are the ONE. You will bring balance to your world and you can fight off the agents and the machines telling you to sit in your battery sack with a name that doesn’t represent you.


Comments

Popular posts from this blog

The Texas Chainsaw Massacre (1974)

A retrospective by Brooks Rich Let's kick off the spooky season with a bona fide classic. I love the horror genre, but not much really scares or creeps me out. Most horror films I just watch and enjoy. However, 'The Texas Chainsaw Massacre' is one of those that really gets under my skin, and not just because the Sawyer family are eating people. The way Tobe Hooper shoots the film gives it an almost documentary feel. If you have never seen 'Texas Chainsaw Massacre,' you should probably fix that immediately. Do I need to explain what it's about? A group of '70s kids is driving across Texas in a van and runs afoul of the Sawyer family, including the man himself, Leatherface. It's a classic of the horror genre and one of the pioneers of the '70s and '80s horror boom. The film has a reputation for being sickeningly bloody and violent, but that is not true. It's essentially a bloodless film, which makes it even more horrifying. Most of the violence...

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Candy month: Summer Rental

 A retrospective by Brooks Rich Air traffic controller Jack Chester (John Candy) is given paid time off when he nearly causes two airline disasters. He takes his family down to Florida for a vacation. Hijinks ensue because its '80s comedy and Candy ends up challenging a pompous Richard Crenna to a yacht race to close out the summer.  This is a movie that has been forgotten to time in the grand scheme of Candy's career. Even with Carl Reiner directing it does have the same name recognition as some of Candy's other works. But I think it's a solid entry in his filmography. He plays a great everyman who we have no problem rooting for. The slobs versus snobs relationship he has with Crenna works like a charm and he genuinely seems like a good father and husband. Candy was always great at playing both the everyman and the aloof goofball. Sometimes he'll even play both. His character of Jack Chester in this is a good example of that. At times Jack is the goofy comic relief...