Skip to main content

Summer of Spike: Do the Right Thing

A review by Brooks Rich

This is the film that made Spike Lee a serious filmmaker. With his third outing Spike knocks it out of the park with a stunning examination of racism and police brutality set over the course of one hot sweltering day on a block in Brooklyn. He crafts a film that is both deeply entertaining as well as a startling observation on racial tensions. This film explores not just the tension between African-Americans and whites but also tension between all the races.

It's hard to watch this film and not feel your stomach drop when the films climaxes with a cop killing a black man with a choke hold. The film is thirty-one years old and still speaking to the state of our country. It's hard not to see this film now and not be effected by a character dying while being held in a chokehold by police. Do the Right Thing echoes with more truth than some of Spike's more recent films.

On a technical level Do the Right Thing is Spike Lee going from a solid student filmmaker feeling out the industry to full blown cinematic master. His camera work improves, his editing is tighter, and his staging feels more cinematic. I love She's Gotta Have It but it is very much a student film. This is Spike's arrival on the scene.


Comments

Popular posts from this blog

The Texas Chainsaw Massacre (1974)

A retrospective by Brooks Rich Let's kick off the spooky season with a bona fide classic. I love the horror genre, but not much really scares or creeps me out. Most horror films I just watch and enjoy. However, 'The Texas Chainsaw Massacre' is one of those that really gets under my skin, and not just because the Sawyer family are eating people. The way Tobe Hooper shoots the film gives it an almost documentary feel. If you have never seen 'Texas Chainsaw Massacre,' you should probably fix that immediately. Do I need to explain what it's about? A group of '70s kids is driving across Texas in a van and runs afoul of the Sawyer family, including the man himself, Leatherface. It's a classic of the horror genre and one of the pioneers of the '70s and '80s horror boom. The film has a reputation for being sickeningly bloody and violent, but that is not true. It's essentially a bloodless film, which makes it even more horrifying. Most of the violence...

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Candy month: Planes, Trains, and Automobiles

 A retrospective by Brooks Rich I decided to extend John Candy month for a bit as I had some personal issues come up. So just wrapping up some film I wanted to cover. Works for me. Just an excuse to keep talking about a master like Candy.  Steve Martin is Neil Page, a marketing executive who is flying from New York to Chicago for Thanksgiving. While trying to hail a cab he trips over a large trunk and has his taxi stolen by Del Griffith, the immortal John Candy, who ends up being one of Neil's seat mates on the plane. Bad weather in Chicago strands them in Wichita. Determined to make up for ruining Neil's travel plans, Del swears to get Neil home to Chicago in time for Thanksgiving. Hilarity ensues.  I mean come on. Who doesn't love Planes, Trains, and Automobiles? This is Candy's best film and I don't think that's a hot take. Sure some people might vote for Uncle Buck but not me. My vote is for this masterpiece of '80s comedy. It is also John Hughes best fi...