Skip to main content

Just One More Thing: Murder, A Self Portrait

 A retrospective by Brooks Rich

Eccentric artist Max Barsini lives in a beachside house with his wife Vanessa and his live in model Julia. Next door to them lives Louise, Max's first wife. The three women are essentially Max's three wives, even though Max is only officially married to Vanessa. When Louise announces she is leaving to move in with her former psychiatrist now her lover, Max fears she will reveal that years ago Max murdered his business partner. He and Louise were living in a small apartment above a bar and were impoverished. So under the guise of painting in private, Max sneaks away and drowns Louise. It looks like an accident. But a homicide lieutenant with a cigar isn't sure about that. 

This episode has really grown on me. At first I found it kind of weird, with it's bizarre borderline creep of a killer and it's artsy film school dream sequences. But over time this one has become one of my favorites. Actor Patrick Bauchau does a fantastic job with the character of Max. He plays him as a sort of modern Don Jon with a touch of sleaze but doesn't go over the top. There's something interesting about Max. Yeah he's a bad guy but I wouldn't call him evil. 

As with any good Columbo episode, I love the chess match between Columbo and Barsini. As Columbo begins to move in, Barsini tells him he wants to paint his portrait. So during their sittings Columbo plays tapes of Louise's frightening recurring dreams, which all imply that Max murdered his old business partner. The back and forth between Falk and Bauchau are stellar in these sequences. 

This is very much a second run Columbo episode. It's the standard formula but there's a more cinematic feel to it. The second run gets a bad rap. I think there's a lot of fantastic episodes from '89 to the end of the series in 2003 and this is one of them. 



Comments

Popular posts from this blog

The Texas Chainsaw Massacre (1974)

A retrospective by Brooks Rich Let's kick off the spooky season with a bona fide classic. I love the horror genre, but not much really scares or creeps me out. Most horror films I just watch and enjoy. However, 'The Texas Chainsaw Massacre' is one of those that really gets under my skin, and not just because the Sawyer family are eating people. The way Tobe Hooper shoots the film gives it an almost documentary feel. If you have never seen 'Texas Chainsaw Massacre,' you should probably fix that immediately. Do I need to explain what it's about? A group of '70s kids is driving across Texas in a van and runs afoul of the Sawyer family, including the man himself, Leatherface. It's a classic of the horror genre and one of the pioneers of the '70s and '80s horror boom. The film has a reputation for being sickeningly bloody and violent, but that is not true. It's essentially a bloodless film, which makes it even more horrifying. Most of the violence...

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Candy month: Summer Rental

 A retrospective by Brooks Rich Air traffic controller Jack Chester (John Candy) is given paid time off when he nearly causes two airline disasters. He takes his family down to Florida for a vacation. Hijinks ensue because its '80s comedy and Candy ends up challenging a pompous Richard Crenna to a yacht race to close out the summer.  This is a movie that has been forgotten to time in the grand scheme of Candy's career. Even with Carl Reiner directing it does have the same name recognition as some of Candy's other works. But I think it's a solid entry in his filmography. He plays a great everyman who we have no problem rooting for. The slobs versus snobs relationship he has with Crenna works like a charm and he genuinely seems like a good father and husband. Candy was always great at playing both the everyman and the aloof goofball. Sometimes he'll even play both. His character of Jack Chester in this is a good example of that. At times Jack is the goofy comic relief...